The Courier is “based on a true story”. Benedict Cumberbatch’s Greville Wynne really was a businessman recruited by MI6 during the Cold War to undertake Soviet Union intelligence gathering activities.
My fear about Another Round was that it would get all preachy about the dangers of drinking to excess and chart the inevitable descent of all involved ...
Sacha Baron Cohen’s movie is essentially a series of skits and pranks aimed at easy-target right-wing Trump-supporting Americans in an effort to demonstrate their ignorance.
To say that Tenet is a time-travel sci-fi film really doesn’t do it justice. Time isn’t travelled so much as it is scrunched up and folded over multiple times.
To say that Tenet is a time-travel sci-fi film really doesn’t do it justice. Time isn’t travelled so much as it is scrunched up and folded over multiple times.
To say that Tenet is a time-travel sci-fi film really doesn’t do it justice. Time isn’t travelled so much as it is scrunched up and folded over multiple times.
Lost ways. Lost bees. Lost serenity. It would be hard to watch this twice Oscar-nominated documentary and not feel devastated for Hatidze Muratova – one of the last Macedonian wild beekeepers.
In this weird sports-free world, sports junkies such as yours truly are looking far and wide for their fix. Bring on the sports documentary series, a relatively new phenomenon tailor made for the pay-per-view generation.
1917 is not a great WW1 film, but is a great piece of film-making. You probably know by now that it was all filmed in one simulated shot, using some very clever CGI, pin-point editing and some technical wizardry. And it works.
Queen & Slim reminds us there are other issues, also of life and death, that will persist well past the time that Covid-19 becomes as common as the cold and they shouldn’t be forgotten or ignored.
1917 is not a great WW1 film, but is a great piece of film-making. You probably know by now that it was all filmed in one simulated shot, using some very clever CGI, pin-point editing and some technical wizardry. And it works.
On the Kubrick-Lucas spectrum (trademark pending), where Kubrick sci-fi films are intense and moody and so deep you can’t see the bottom of them, and Lucas sci-fi films are operatic and melodramatic and fun, with plenty of weird looking aliens, Ad Astra definitely tends Kubrick.
If the preview I saw of Men in Black: International was a Sydney Film Festival (SFF) film rather than just showing at the same time as the SFF, people would have walked out on it.
Apart from the fact both films are nominated for the Oscars there’s little they have in common, apart from the hours spent in their make-up departments.
