Tuesday, October 8, 2024
HomeCultureFilmOnce Upon a Time In Hollywood

Once Upon a Time In Hollywood

Once Upon a Time In Hollywood
Director: Quentin Tarantino
Starring: Leonardo DiCaprio, Brad Pitt, Margot Robbie
Genre: Quentin Tarantino

The Nightingale
Director: Jennifer Kent
Starring: Aisling Franciosi, Sam Claflin, Baykali Ganambarr
Genre: Not Quentin Tarantino

There’s not much that Once Upon a Time In Hollywood and The Nightingale have in common. One is a convict revenge period piece that tackles historical Australian issues of gender and race. The other is one man’s homage to the stuff he likes the most. Yet if there’s anything that unites their directors it’s the issue of on-screen violence.

Jennifer Kent, the director of The Nightingale, in response to reports of people walking out on her film during the Sydney Film Festival, said she didn’t care. Quentin Tarantino, who has made a career out of graphic portrayals of over-the-top comic violence, no doubt shares the same attitude. For both of them, the violence is a means to an end.

Without violence, neither film would work. It’s not gratuitous when the violence being portrayed reflects the real-life violence that the films are based on. The Nightingale is all about the appalling violence that convict women and Indigenous Australians faced during early colonial times. And Once Upon a Time In Hollywood is an interesting alternate reality of the gruesome Tate murders conducted at the instigation of Charles Manson in 1969.

Neither film is great. The Nightingale runs out of steam and out of ideas, and Once Upon a Time In Hollywood is so vain and self-reverential that it includes deliberate continuity errors and so many in-jokes you’d need to watch it with Tarantino to pick them all up.

But at their core are big issues and convincing depictions, or at least interpretations, of reality. If it takes a bit of shock and an R-rating to get the film world to think about them, then so be it.

Rating: Four gallons of blood (at least, each).

_______________
film@ssh.com.au

spot_img
- Advertisment -spot_img
- Advertisment -spot_img

One Another

One Another contains two parallel and interrelated stories – one about Joseph Conrad, his life and writing, and the other about Helen, Tasmanian student of literature in Cambridge, who is writing a thesis about him.

The Substance

As a man in his 50s featuring all the normals for someone of my age – middle-age spread, tinnitus and going grey and bald to name a few – but still fit, physical, clever and switched-on to name even more, my attraction to The Substance was admittedly driven in large part by my attraction to 61-year-old Demi Moore.

Ten Years to Home

A production made possible by the collaboration of the Nautanki Theatre and KXT Bakehouse, Sonal Moore’s autobiographical and tender-hearted Ten Years to Home tells the story of the South Asian diaspora through the eyes of three generations. The play, while looking with clear eyes at the difficulties of immigrant families, also celebrates the contribution made by Indian traditions and beliefs to a culturally diverse Australia.

A building to sing about

BONDI BEACH: Does a building have a voice? This question is the kernel of Building Song, an experimental art activation by 15 artists poised to begin its third iteration at Bondi Pavilion this month.

‘I just want to learn this trick!’ – an interview with Johannes Geppert (#1)

Johannes (Johnny) Geppert is a Surry Hills-based artist. His studio-gallery on Crown Street, Collage Atelier, is open for exhibitions as well as weekly workshops in drawing, painting and collage.

Combining modern love with classical sounds and jazz

If your Pinterest boards are trending cosy Nancy Meyers interiors, a visit to Shakespeare and Company is on your Paris bucket list, and the rule in your house is lamps only (ceiling lights are for emergencies), then you need no introduction to jazz-pop artist Laufey (pronounced lay-vay).