Salman Rushdie is someone who has famously lived a significant portion of his life under the threat of death and, through his writing, the powerful insistence upon life in all its glorious variations.
The eponymous green dot of this novel has a very significant role in the relationship of the two central characters of this text, it being the green dot that tells others that you're online when you’re on Instagram.
The premise of Bright Shining is both profound and simple – grace is everywhere and we are enriched by it as individuals and as a community when we are receptive to its power and beauty.
Elyse John has reinvented this classic tale to consider ideas about gender, identity and sexuality and how ideas about love, heroism and virtue derived from mythology need to be overturned.
This inspiring volume of liturgies and reflections comes from Women and the Australian Church (WATAC), one of the cofounders of the Australian Women Preach project.
The two companion novels of Cormac McCarthy’s latest writings follow the lives of brother and sister Bobby and Alicia Western, focused on their mutual devastation at the hands of their father’s involvement in Robert Oppenheimer’s atomic project and how to come to terms with the scale of such violence.
As Lessons stretches over several decades, and Alissa establishes herself as one of the most insightful writers of the century, the possible sentimentality of motherhood is interrogated and rejected.
After her partner, journalist Don Watson, is diagnosed with an aggressive cancer, Chloe Hooper is faced with telling their two young sons that their father is dying.
In Matrix, Lauren Groff is exploring and exploiting all the complicated implications of its title, including one of the word’s archaic meanings as womb and, by extension, mother.
On Sunday, May 2, Carly Findlay, editor of Growing Up Disabled in Australia, spoke to an attentive audience at the 2021 Sydney Writers’ Festival (SWF). Our reviewer, Melinda Kearns, offers insights here about the session and the book.
In many of Ishiguro’s novels, his protagonists are not quite telling us the truth, or are perhaps, telling us only their perspective on what occurs around them.
Ian McEwan’s latest novel explores the age-old question of what it means to be human and what moral dilemmas arise when the delineation between machine and human is increasingly hazy.
Jon Ronson’s So You’ve Been Publicly Shamed establishes as its thesis that shaming is more prevalent than ever in the modern world through the advent of social media.
