HomeCultureFilmsOnce Upon a Time In Hollywood

Once Upon a Time In Hollywood

Once Upon a Time In Hollywood
Director: Quentin Tarantino
Starring: Leonardo DiCaprio, Brad Pitt, Margot Robbie
Genre: Quentin Tarantino

The Nightingale
Director: Jennifer Kent
Starring: Aisling Franciosi, Sam Claflin, Baykali Ganambarr
Genre: Not Quentin Tarantino

There’s not much that Once Upon a Time In Hollywood and The Nightingale have in common. One is a convict revenge period piece that tackles historical Australian issues of gender and race. The other is one man’s homage to the stuff he likes the most. Yet if there’s anything that unites their directors it’s the issue of on-screen violence.

Jennifer Kent, the director of The Nightingale, in response to reports of people walking out on her film during the Sydney Film Festival, said she didn’t care. Quentin Tarantino, who has made a career out of graphic portrayals of over-the-top comic violence, no doubt shares the same attitude. For both of them, the violence is a means to an end.

Without violence, neither film would work. It’s not gratuitous when the violence being portrayed reflects the real-life violence that the films are based on. The Nightingale is all about the appalling violence that convict women and Indigenous Australians faced during early colonial times. And Once Upon a Time In Hollywood is an interesting alternate reality of the gruesome Tate murders conducted at the instigation of Charles Manson in 1969.

Neither film is great. The Nightingale runs out of steam and out of ideas, and Once Upon a Time In Hollywood is so vain and self-reverential that it includes deliberate continuity errors and so many in-jokes you’d need to watch it with Tarantino to pick them all up.

But at their core are big issues and convincing depictions, or at least interpretations, of reality. If it takes a bit of shock and an R-rating to get the film world to think about them, then so be it.

Rating: Four gallons of blood (at least, each).

_______________
film@ssh.com.au

spot_img

Young voices, diverse stories: Australian Poetry Slam crowns its 2026 champion

On October 25, the Sydney Opera House hosted the grand final of the Australian Poetry Slam. The 2026 competition brought together 16 poets from across Australia, with contestants from Western Australia to Tasmania, competing to be the 2026 Slam Ambassador. Each contestant was introduced by the welcoming host, Miles Merrill....

Snowflake

A fiercely funny and deeply moving story of our divided times, exploring the fragile bridge between two generations.

No Bad Avalanches

There are bands, and then there are institutions. The Avalanches belong firmly in the second category...

Powerhouse Parramatta opens on the banks of the river

Powerhouse Parramatta, the largest museum in NSW, officially opened on Saturday 7 November, bringing five major exhibitions exploring art, science, technology and history to the banks of the Parramatta River. Located on Burramattagal and Dharug land, near the Parramatta ferry wharf and within walking distance of rail and light rail...

Lost in a weekend sound

Phoebe Bridgers’ Lost Weekend is thick with atmosphere, a record that takes the small, uncomfortable furniture of grief and heartbreak and places it inside a much bigger room. There are voices drifting through the walls, guitars dissolving at the edges and moments when the production seems to lift the...

‘Visitors’

I roll over ...