CATS
Adapted from T.S. Eliot’s Old Possum’s Book of Practical Cats
Music: Andrew Lloyd Webber
Theatre Royal Sydney
June 17 – September 6, 2025
CATS opened on Friday June 20 at the Theatre Royal, celebrating its 40th anniversary where this reviewer saw it originally in 1984. In many ways, this production is faithful to the original which, at the time, was deemed scandalous for turning the sacrosanct Theatre Royal into a dingy, dirty, junk yard somewhere in London.
This is a high-octane dance show, with Andrew Lloyd Webber’s music given a boost with extra bass and funk to bring it into the 21st century. Howard Eaton has enhanced the lighting due to the innovation of LED which contributes immensely to the staging.
Although an ensemble piece (there are often 22 performers on stage), there are quite a few standout solos. The inimitable Todd Mckenney portrayed a very believable, charming Old Gus complete with character voice. Edward Smith who played the mischievous Macavity almost bounced off the stage with his boundless energy. Claudia Hastings had the coveted role of Victoria, the White Cat, and is often seen shining down front and centre as her svelte white form leads the ensemble.
A special mention must go out to the very gifted dancer Axel Alvarez who plays Mr Mistoffelees. Truly Magical.
Originally, circa 1981, CATS was without a showstopper, as Sir Andrew had earmarked “Memory” for his yet unpublished Sunset Boulevard. At the eleventh hour, it was added to give CATS an emotional core according to Trevor Nunn, the show’s inception director. It was an important addition to the score designed to bring all the cats together on their emotional journey to the Heaviside Layer, but also as a touchstone for audience members. And Grizabella, played by Gabriyel Thomas, rose to the occasion. She almost lifted the roof off as she launched into the fourth verse of “Memory”.
CATS is certainly a trip down memory lane. If you enjoyed the original, it may make you feel nostalgic or like you just saw the black cat in The Matrix.
