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You Seem Pretty Sad for a Girl so in Love

You Seem Pretty Sad for a Girl so in Love
Olivia Rodrigo
Geffen Records, 2026

At just 23, Olivia Rodrigo has been labelled the “voice of a generation”, as her music consistently captures the experience of teenagers and young adults in the modern world. Her third album You Seem Pretty Sad for a Girl so in Love only confirms this statement, exploring the complexities of love and heartbreak through a more mature lens than her previous albums.

The quality that sets Rodrigo apart from other current artists is her relatability. While the typical pop star may seem unreachable and perfect, Rodrigo reminds listeners that she is a regular young woman who doesn’t quite fit in with the celebrity lifestyle. This awkward but lovable voice is consistent in all her albums, most recently highlighted in songs like Stupid Song where she sings “all the girls at this party are so cool/that’s never been a thing I could do”.

Rodrigo’s friendship with alt-rock legend Robert Smith clearly informed the creation of You Seem Pretty Sad for a Girl so in Love, as he features on What’s Wrong With Me and is referenced in the lead singles Drop Dead and The Cure. The album is infused with ‘80s new-wave pop and early 2000s post-punk instrumentation, with Expectations sounding like a Madonna hit and My Way reminiscent of Paramore. That being said, there are still a couple of staple ballads that Rodrigo excels in, especially Less which features a gorgeous piano melody overlaid with heart-wrenching lyrics.

The album is told chronologically, with the first half detailing the smitten beginning of a relationship and the second half unravelling the inevitable descent into heartbreak. In an interview with the New York Times Popcast, Rodrigo explained that following the downfall of the relationship, she went back to the original lovestruck songs and “injected them with sadness”. This editorial hindsight is present in songs like Purple, which contains one of the thesis statements of this album, “I had big dreams ‘til I tied myself to you”.

Rodrigo’s experimental endeavours into new themes and sounds paid off beautifully, creating a cohesive, yet diverse, album. With You Seem Pretty Sad for a Girl so in Love, Olivia Rodrigo proves once again that she is deserving of all her success.

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