HomeCultureArtIntroducing Nauha Dabboussy

Introducing Nauha Dabboussy

Nauha Dabboussy moved with her family to Australia from Lebanon when she was 8 years old. She grew up in Melbourne before coming to Sydney where she discovered a passion for painting. “I’d always wanted to do it,” she says. “So I started to explore the options, first at TAFE (St George and Gymea), then studying art history at COFA.”

Since the late 1990s, the artist has completed several courses and won awards too, including First Prize at the Bayside Arts Festival in 2019.

Nauha’s appreciation of impressionist painting informs much of her work, from bright-lit landscapes in oils and watercolour (European and Australian scenes) to richly textured still lifes, nudes and portraits.

There’s also a highly stylised approach to figuration and composition. A striking lino-block print, hand-coloured, depicts two ducks on a lake.

“With regard to more stylised work, I just naturally found my way. It’s about noticing the character of a place or subject, bringing out something special or beautiful, paying attention to design elements.”

Most days Nauha works in her studio-gallery at Banksia (14 Railway Street). She enjoys meeting people there (fortuitously, there’s a coffee shop next door) – engaging in conversation while she draws or paints.

“Painting means many hours on my own but I love the social aspects too. I belong to art groups, including the St George Art Society, and like to visit the galleries. I enjoy getting involved in group shows – and will have some works in a show at Parliament House in June.”

Nauha will present a selection of original works at the Orchard Gallery in Waterloo on May 28. There will be music and complimentary refreshments from 5pm, as well as affordable prints and cards for sale.

_______________
Selected Works
Nauha Dabboussy
Opening 5-6.30pm
Saturday May 28
Until June 30, 2022
The Orchard Gallery
56a Raglan St, Waterloo
Phone 0405 849 315

spot_img
- Advertisment -spot_img

HAL hath no fury like an AI scorned

When 2001: A Space Odyssey's onboard system HAL 9000 decides to off the crew of the Discovery One spacecraft, in order to stop itself being disconnected, it is awfully polite about it. Declining a request to open an airlock, it gives the famous line, "I'm sorry, Dave. I'm afraid...

‘What happened to you?’ – Supergirl, trauma and religious imagination

Before she was Supergirl in the eponymous movie released in June, Milly Alcock was a young actor from Petersham and a student at Newtown High School of the Performing Arts. She now wears the cape of Kara Zor-El, survivor of a destroyed world. Supergirl has extraordinary powers, but the film’s...

Salt and light – local journalism in the Age of AI

Pope Leo XIV’s encyclical Magnifica Humanitas asks how human dignity can be safeguarded in an age shaped by artificial intelligence (AI), digital platforms and concentrated technological power. AI can serve human beings and the common good, but only when governed by ethical responsibility. It must not reduce people to...

A shivered plate

I can juggle three balls (badly), provided there’s a wall to bounce them off back towards me. I can keep a hacky sack in the air for around 30 taps. I can do ‘toe basketball’ and get the ball in the basket (on the floor) with my toes, at...

Sin, harm and healing

Talk of sin can leave people demoralised rather than healed. In some church settings, sin has sounded like shame, illness, depravity or permanent failure. That can be spiritually damaging. It can make people feel trapped. But we still need a way to speak honestly about harm. Our world is wounded by...