Alex Nicholas completed a Masters of International Relations at the University of NSW and presented asylum seeker policy research at the United Nations in Geneva. He then graduated from the Actors Centre Australia in 2010, marking a return to his life-long passion. His recent theatre credits include Nightlife for Metamorphosis, Push Yourself at the Best of Playtime, Autobahn for pantsguys, As You Like It for Platform 12, Equus at the New Theatre, Opposites Attract for Hot Room Theatre Group, When The Rain Stops Falling at SITCO, Don’t Tell the Women at the TAP Gallery, and as Cassio in Othello for the Sydney Shakespeare Company. He has also appeared on television in East West 101, Home & Away, My Place, The Gruen Transfer, and the award-winning Cedar Boys.
What inspired you to become involved in acting?
I loved performing and storytelling as a child. I grew up on a river and all the river-kids would play together and use our imaginations to put on shows for the adults. Anything was possible!
Tell us about your character in the recent production of The Merchant of Venice [August 7-24 at The Tap Gallery in Darlinghurst]? How did you prepare for the role? Has it been challenging?
Bassanio is a romantic opportunist who lives for the moment. He is set on a quest to faraway Belmont to win the heart of fair Portia. But he borrows money to do it and that’s where it all unravels. My preparation involved casting my mind back to my own life a few years ago! His passion and intelligence have made him a joy to play.
What has it been like collaborating with the director and cast?
The heart, generosity and professionalism of all the cast and the director (Steven Hopley) have made the collaborative process on The Merchant of Venice a breeze. There was such play and unbridled enthusiasm in the rehearsal room and this has been reflected in the performances.
What’s it like to be a part of the Sydney Shakespeare Company this season?
I have learnt a great deal during my time with them and the support of all the crew continues to promote an exciting theatre company staying true to its ethos of intimate performances with a focus on actors, clarity and text.
What are your views on the Sydney theatre scene?
It’s a thrilling time to be a part of it as there is a plethora of strong performers and directors and stories to be told.
Any words of advice for young actors hoping to break into the theatre scene/acting industry?
Be yourself. Work hard. Have fun!
Upcoming projects?
I’m acting in a short film over the next couple of months, and a new Australian feature film I’ve been involved with in post production is getting close to completion. It’s called Phoenix Rising and is produced by Belle Fitzgerald.
